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Rising from the ruins of the DIY club Antje Oeklesund, Future Sailor founded the dance party What Difference Does it make. The musical focus was on indie pop and post-punk. After the end of the party series, he regularly DJs with the artist Jim Avignon under the name Some kind of happening.

Knarf Rellöm Arkestra Kritiken:

"Die musikalische Stoßrichtung ist klar wobei dieses Mal die Intentionen wirklich in aufregenden Sounds und aufregenden Texten begründet liegen."
Carsten Agthe, Schall Magazin

"Rellöm ist aber kein Spinner, sondern einer der wenigen unterhaltsamen und intelligenten politischen Künstler. Und tanz bar, witzig und originell noch dazu."
Christof Meueler, Neues Deutschland (CD der Woche)

„Immer noch Hamburgs originellstes Allroundgenie"
Jürgen Ziemer, Rolling Stone

„Album des Monats“
konkret 05/2022

Rellöms Parolen bringen es immer wieder auf den Punkt. Oft reicht nur diese eine wahre Zeile, die Hirn und Herz bewegt: "Die Mieten Sind Zu Hoch"
Jasmin Lütz, laut.de

Die Verhältnisse zum Tanzen zu bringen, das ist Rellöms Superpower, die auf dieser Platte besonders furios ausbricht.
Christina Mohr, Junge Welt

Northern-Soul, Funk, Dub, House und Krautrock, Knarf Rellöm hat alles drauf. Auch auf seinem neuen Album „Kritik der Leistungsgesellschaft“.
Jens Uthoff, taz

Der Hamburger Schüler aus der hinteren Reihe, Knarf Rellöm, erfindet sich und seine Mitmusiker alle paar Jahre neu
Mathias Möller, Der Bund (CH)

Soul-Punk! (8.2 Punkte)
Andreas Borcholte, Spiegel Online

https://youtu.be/decKqc7hyEk

Eduardo Delgado Lopez aka El Educador aka El Matador del Taxi bietet als DJ ein musikalisches Spektrum, das sich von Hip Hop, Dub und Jungle über Punk bis hin zu Latin und Funk erstreckt. Sowohl als DJ als auch als Musiker schafft er einen Sound, der festgefahrene Konventionen aufbricht. So spielte er in Klubs, wie Toaster und WMF sowie als Bassist bei KRATZ, Mark Boombastik & Eduardo Delgado Lopez (Shitkatapult), beim Caspar Brötzmann Massaker oder bei den Reality Brothers.

https://soundcloud.com/edl-1

https://elmatadordeltaxiakaeleducador.bandcamp.com/

3rd road, Exit 55 revolves around the intricate relationship with individuals and the concrete space we occupy. The concept unfolds as a journey through the spaces we inhabit, our connection with places and the challenges preconceived notions of their meaning. The performance aims to evoke emotions and insights, inviting to question the conventional criteria that define a places significance and to appreciate the intricate interplay between individuals and their surroundings.
Finally, delves into prompting reflection on whether we've ever entered and lived in a place purely for its existence.

A u r o r a B r o c c h i is a dancer and multidisciplinary artist based in Germany. She began her career in dance after graduating from the Contemporary School of Hamburg CDSH in 2021. She has been exploring multidisciplinary arts by creating art works, choreographies and installations which combine those. Aurora recently realized her book “If flowers would not wither”: a book of poetry that talks about changes, life, death, healing processes, movement’s connections and shared spaces. She works with the "Current Dance Collective" in Hamburg, with which she performed three productions “Gorgeousness and Gorgeosity made flesh”, “Rave New World” and “The End Is Important In All Things”. Furthermore, she performed a durational piece, Life on the Planet Orsinamnirana in the Museum of Künste und Gewerbe in Hamburg, first working with the choreographer Ursina Tossi and later on with Jersey Seymour and The Dirty Art Department. In 2023/2024 she worked at the City Theatre in Oldenburg in the Opera production “Die Tote Stadt”. Aurora performed her own pieces “A door to a place I have never seen” in Berlin at GlogauAir Residency, “If flowers would not wither” in Budapest at School of Disobedience and in Shoonya Center for Art and Somatic Practices in Bangalore, India. In addition to that she has worked with the choreographers Yolanda Morales, Abhilash Ningappa, Anand Dhanakoti. “I dance, move, create, paint, write and wonder. I see life through art or the other way around. I’m interested in people, in human bodies and minds, the physical space they occupy and the way those influences each other. I work with images, words, and sensations. I explore and observe my own healing process
through movement and body’s connections. I trust vulnerability, and I think sharing is the most enriching thing that we can experience.”

https://www.instagram.com/aurorabr__/

Partners in life and music, they bring you the heartbeats of punk, post-punk, new wave, on vinyl only.
No fancy stuff, just real beats for real people.
Step into the world of No Tears for the Creatures of the Night, where vinyl spins and shadows dance.

Minoa ist Poesie. Ein klanglicher Zauber, der pure Emotion in Musik übersetzt. Ihr Debütalbum „Forward, Backward, Start Again“ (Listenrecords Berlin, 2022) enthüllt ein Fingerspitzengefühl für Songwriting und einen eigensinnigen Gitarren-Sound, womit Minoa sich ganz und gar in die Szene und Namen wie Julia Jacklin, Big Thief, Angel Olsen, Soccer Mommy oder Snail Mail einreiht.