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minimal/house

Two Italian DJs based in Berlin, who grew up with the roots of the old-school house and the Berlin minimal, lead both music cultures with passion. Their Italian roots mix harmoniously with the electronic atmosphere of the Berlin music scene and create a unique sound that captures the essence of the two cultures.

Zwei italienische DJs based in Berlin, die mit den Wurzeln von Old-School-House und Berliner Minimal aufgewachsen sind, führen beide Musikkulturen mit Leidenschaft voran. Ihre italienischen Wurzeln vermischen sich harmonisch mit der elektronischen Atmosphäre der Berliner Musikszene und schaffen einen einzigartigen Klang, der die Essenz der beiden Kulturen einfängt.

Tickets 15€ at the door / an der Abendkasse (places limited/Anzahl begrenzt)
 

Crime & the City Solution is proud to announce the launch of a three-piece acoustic version of the band that will be known as Crime & the City Solution (Acoustic) or Crime (Acoustic) for short.
Inspired by the Bonney/Adams duo that toured the US and Europe with Mark Lanegan in 2019, Crime (Acoustic) is born of a want to play the material in the style that many of the songs were first born, to enjoy an intimate atmosphere that captures the simple joy of friends playing together for friends, unmediated by technology. Crime (Acoustic) will feature Bronwyn Adams (violin and vocals), Simon Bonney (vocals) and Joshua Murphy (acoustic guitar and vocals) and will operate in addition to the bigger full-electric line-up. It will perform songs from the Crime back catalogue as well as selected songs from Simon9s solo recordings.

2 nights in Berlin in Mitte at Eschschloraque Rümschrümp on the 17th & 18th of April.

The iconic Australian post-punk band Crime & The City Solution have a long history of recruiting songwriting heavyweights Rowland S. Howard (The Birthday Party) and Alexander Hacke (Einstürzende Neubauten). For these special acoustic performances, the band will feature Simon Bonney (vocals), Bronwyn Adams (violin and vocals) and Joshua Murphy (guitar).

More Information: Facebook Event

Der Frühling ist hier und wir lassen die Sonnen rein, denn :
Wir haben Geburtstag ! 11 Jahre Design By Accident mit Special DiaShow und The Sol Sisters aka Solvejg & La Flaca.
Auf Karlas Kutter kommen sie aus einem mystischen Thal und spielen 2 Stunden lang ihre Lieblingsmusik. Wenn sie nicht live mit Bands wie "Pimmelbett" oder "Spassbremse" spielen, veranstalten sie gut gelaunte DJ-Sessions zwischen Sonne, Tanz und Konzept-Pep.
Ausserdem ist unser Original TagTool Wizard Daniel aka Comic Bureau endlich wieder im Haus. Das wird ein bunter Abend !
 
The Sol Sisters
https://soundcloud.com/ynfnd/sets/festplatte
 
@spoonmandj
https://soundcloud.com/recordat/recordat-radio-alhara-04-spoonman-dj

Rising from the ruins of the DIY club Antje Oeklesund, Future Sailor founded the dance party What Difference Does it make. The musical focus was on indie pop and post-punk. After the end of the party series, he regularly DJs with the artist Jim Avignon under the name Some kind of happening.

Knarf Rellöm Arkestra Kritiken:

"Die musikalische Stoßrichtung ist klar wobei dieses Mal die Intentionen wirklich in aufregenden Sounds und aufregenden Texten begründet liegen."
Carsten Agthe, Schall Magazin

"Rellöm ist aber kein Spinner, sondern einer der wenigen unterhaltsamen und intelligenten politischen Künstler. Und tanz bar, witzig und originell noch dazu."
Christof Meueler, Neues Deutschland (CD der Woche)

„Immer noch Hamburgs originellstes Allroundgenie"
Jürgen Ziemer, Rolling Stone

„Album des Monats“
konkret 05/2022

Rellöms Parolen bringen es immer wieder auf den Punkt. Oft reicht nur diese eine wahre Zeile, die Hirn und Herz bewegt: "Die Mieten Sind Zu Hoch"
Jasmin Lütz, laut.de

Die Verhältnisse zum Tanzen zu bringen, das ist Rellöms Superpower, die auf dieser Platte besonders furios ausbricht.
Christina Mohr, Junge Welt

Northern-Soul, Funk, Dub, House und Krautrock, Knarf Rellöm hat alles drauf. Auch auf seinem neuen Album „Kritik der Leistungsgesellschaft“.
Jens Uthoff, taz

Der Hamburger Schüler aus der hinteren Reihe, Knarf Rellöm, erfindet sich und seine Mitmusiker alle paar Jahre neu
Mathias Möller, Der Bund (CH)

Soul-Punk! (8.2 Punkte)
Andreas Borcholte, Spiegel Online

https://youtu.be/decKqc7hyEk

Eduardo Delgado Lopez aka El Educador aka El Matador del Taxi bietet als DJ ein musikalisches Spektrum, das sich von Hip Hop, Dub und Jungle über Punk bis hin zu Latin und Funk erstreckt. Sowohl als DJ als auch als Musiker schafft er einen Sound, der festgefahrene Konventionen aufbricht. So spielte er in Klubs, wie Toaster und WMF sowie als Bassist bei KRATZ, Mark Boombastik & Eduardo Delgado Lopez (Shitkatapult), beim Caspar Brötzmann Massaker oder bei den Reality Brothers.

https://soundcloud.com/edl-1

https://elmatadordeltaxiakaeleducador.bandcamp.com/

3rd road, Exit 55 revolves around the intricate relationship with individuals and the concrete space we occupy. The concept unfolds as a journey through the spaces we inhabit, our connection with places and the challenges preconceived notions of their meaning. The performance aims to evoke emotions and insights, inviting to question the conventional criteria that define a places significance and to appreciate the intricate interplay between individuals and their surroundings.
Finally, delves into prompting reflection on whether we've ever entered and lived in a place purely for its existence.

A u r o r a B r o c c h i is a dancer and multidisciplinary artist based in Germany. She began her career in dance after graduating from the Contemporary School of Hamburg CDSH in 2021. She has been exploring multidisciplinary arts by creating art works, choreographies and installations which combine those. Aurora recently realized her book “If flowers would not wither”: a book of poetry that talks about changes, life, death, healing processes, movement’s connections and shared spaces. She works with the "Current Dance Collective" in Hamburg, with which she performed three productions “Gorgeousness and Gorgeosity made flesh”, “Rave New World” and “The End Is Important In All Things”. Furthermore, she performed a durational piece, Life on the Planet Orsinamnirana in the Museum of Künste und Gewerbe in Hamburg, first working with the choreographer Ursina Tossi and later on with Jersey Seymour and The Dirty Art Department. In 2023/2024 she worked at the City Theatre in Oldenburg in the Opera production “Die Tote Stadt”. Aurora performed her own pieces “A door to a place I have never seen” in Berlin at GlogauAir Residency, “If flowers would not wither” in Budapest at School of Disobedience and in Shoonya Center for Art and Somatic Practices in Bangalore, India. In addition to that she has worked with the choreographers Yolanda Morales, Abhilash Ningappa, Anand Dhanakoti. “I dance, move, create, paint, write and wonder. I see life through art or the other way around. I’m interested in people, in human bodies and minds, the physical space they occupy and the way those influences each other. I work with images, words, and sensations. I explore and observe my own healing process
through movement and body’s connections. I trust vulnerability, and I think sharing is the most enriching thing that we can experience.”

https://www.instagram.com/aurorabr__/