Archiv

Freitag, 10. Oktober 2025 ab 21Uhr

host Dj Ed2000 very special guest Dj Vela

 

 

Dj Vela

Courtesy of the Artist

Special guest on this event is very fittingly Dj Vela. Vela reveals the potential of music: Diving into the flow of a dense electronic texture of tech house, deep house, breaks and techno, she creates a space of freedom. Here sound rules the world. Constraints fall away. The social rulebook shatters on the ground of the facts of all-encompassing sound power. The spirit of a long international music history, a co-creator of the underground and her involvement in FLINTA* initiatives can be felt here.
As one of the original Dangerous Drums Djs , she very quickly identified some shortcomings in the business side of thigs. She got involved with every aspect of running a monthly 2 floor event with international guests on pretty much every line up, and subsequently ran the show in every respect and the label of the same name that inevitably followed. All of this on top of her Dj career which resulted in her being booked all over the world, commissioned by adidas to produce their anthem for their world cup/olympics campaigns, releasing her own tracks and being invited, to Dj a soundrack for a stage show that was of tremendous cultural significance and importance at the time, revealing as it did for the frst time the true scale and severity of the conflicts raging between different immigrant ethnicities in Berlin. Vela in effect ran Dangerous Drums as a succesfull event series staged nearly 100 times in several different countries, its label that released material by dozens of artists, many making their debut on the label ( for example Marten Hørger) as well as internationally succesfull artists like Marusha, without compomising the quality, momentum and  artistic credibility of of her Dj career. If ever there was an unsung hero it is DJ Vea wihout whom it is generaly acknowledged the dangerous drums success story spanning 20+ years would likely have been over after three or for events. Whatever she decides to play on October 10 in Eschschloraque, you can be sure it will be a stand out performance from a dedicated, experienced and internationally acclaimed Berlin Dj.
 

Dj Ed2000

Courtesy of the Artist

Corin has always seen Radio as one of the most important factors in a Dj Culture that should be a Transporter of New Ideas and Attitudes, and likewise an ever evolving always fresh to the ears and irresistible to the feet Soundtrack for those new ideas and attitudes. 
 
Being born in the late 1950s in London he grew up with his Mother listening to the then new and exciting Radio 1 heavy on the pop of the day, the Rolling Stones, the Kinks, the Beatles, during the day and the Soul soundtrack to life that his Father prefered in the evenings. Stax, Motown, Otis Redding, Ray Charles...he showed corin how he recorded 4 hour tape reels of the pirate radio ship carioline and then went through the reel splicing the tape to take out all but the essential tunes of the moment. Beat matched to boot! John Peel played an immense role in Corins musical education and thereafter the Pirate stations were running things.
Moving to Berlin in 89, there have been Ed2000 radio shows continuously since 1994. Radio is where the avant garde in any new sound and lifestyle will be heard by most people first, as only very few will actually be in the hotspot where anything innovative starts to gain momentum. Corin currently has two reguar radio shows, Dub Intervention fortnightly on The Face Radio Bkn, New York and Dangerous Drums: A New Chapter on Berlins Cashmere Radio. Both in their own way carry the message that can never be heard to often.
It Began in Africa and it is the vibrant and core elements of the sounds that are the hallmark of his two shows that will be presented at the point where soundwise they do indedéd meet, from the sample laden sonics of Dub Intervention to the varied Bass styles that are todays cuttíng edge call to the dance floor. Right now Ed2000s favorite artists are Lukado from South Africa, with his take on Amapiano which is simply out there in a space of its own and Jon E Cash, the founder of Grime who is fusing elements from traditional and current acfrocentric beats into a new style all of its own. As a reference regards what to expect musically, as well as the insistent rhythms and basslines of Hodge, Corins third favorite artists here and now, with a ramped up dub presence via software hardware and samples a plenty and you have an idea of where this may be going. On a good night that will sometimes be somewhere both deeply familiar and at the same time somwhere neither the dj or the guests have been before..

https://cashmereradio.com/shows/dangerous-drums/
https://thefaceradio.com/dub-intervention/

 

Donnerstag, 09. Oktober 2025 ab 20Uhr

mareike - trompete   rumme - bass 
oli - percussion  jacki - gitarre  
adrian - gesang 

Foto: Frank F

Alien Quartett ist ein jazziges projekt mit bass, guitarre, trompete, gesang und ab und zu perkussion..
gegründet 1991 als "all but science".
Sie verstehen sich als live band und haben deshalb nichts auf konserven veröffentlicht..
auch im netz sind sie deshalb nicht vertreten..
kommt und hört..
 

DJ: Der lächende Schamane

 

Das Event ist Teil des Begleitprogramms mit Konzerten und Aftershows im Eschschloraque der 3. Jubiläumsausstellung "Echohaus" zu 30 Jahren Haus Schwarzenberg im Neurotitan vom 06.09.-18.10.2025

 

 

Mittwoch, 08. Oktober 2025 ab 21Uhr

MissVergnügen Mr.B (Organ)

Courtesy of the Artists

 Do you  wanna dance? No, you don`t!  MissVergnügen forms Berlin Underground DJ culture since the noughties and stands for a wide range of sounds from "20er-Jahre-Musik" up to Electro. She has an incredible talent for creating musical atmospheres based on the audience; a vibrant process! Expect another eclectic Night with Vergnügen and Mr.B!

Dienstag, 07. Oktober 2025 ab 21Uhr

– Tanzbare Veranstaltung für Außenseiter*innen

presents

Kaltgrau” by RACHELE GIBILTERRA

 

Credit: Rachele Gibilterra

„This solo is meant to show how illusory dreams collide with reality so often in life and so strongly, and yet these two dimensions constantly coexist, even though this is impossible.  I explore the ground where one reality touches, or crashes, the other. In a middle space where memories and fantasies keep on alternating, I try to find what’s the meaning of all this.“ (Rachele Gibilterra)

 

A B O U T  RACHELE GIBILTERRA

 

Foto: Daniil Russov

Rachele Gibilterra, born in Venice, Italy. She graduated from Berlin Dance Institute in 2022. During and after her graduation she produced small solo performances that were presented the solo Where Are You Ra at the 48 Stunden NK Festival, and the solo Skies With A Ceiling at the Online Hangouts by Studio 183 in collaboration with Kaltblut Magazine.
She also produced visual art, that has been displayed at the Concept Store Studio 183, and during events as Soho House Tiny Art Market, an independent female artist art market curated by Sera Akyazici, and NoArtNoHome event at Anomalie Berlin Art Club. 
She received a scholarship for Body and Performative Practices in TQW, participated at the “1 minute artistic death” event at New Fears Gallery and presented an excerpt of the solo Golden House Bathed In Smoke at Marameo Berlin.

https://www.instagram.com/rachelegibilterra/

***

TICKETS:
8:00 pm TICKETS at the door! The dice will tell you what to pay. Limited space, come early!
(8,00€ | 8,50€ | 9,00€ | 9,50€ |10,00€ | Joker)

 

Samstag, 04. Oktober 2025 ab 21Uhr

Courtesy of the Artist

We’re thrilled to invite you to the Cumbia Kokoro EP Release Party!

Join us for a night of explosive rhythms and cross-cultural sounds as we celebrate the release of Cumbia Kokoro, a project born in Japan and finished in Berlin, blending Mexican electronic cumbia with Japanese spirit.

Line up:
Bial HClap (MX) – DJ Set
Yugo Taguchi (JP) – Live

Freitag, 03. Oktober 2025 ab 21Uhr

with Lancer & Robot Girl

Courtesy of the Artist

Electric Baile with Lancer & Robot Girl in Eschschloraque, In the heart of Berlin, a night of vinyl and timeless sounds awaits.

Lancer & Robot Girl, founders of Electric Baile, present a selection of Italo Disco, Euro Disco, Hi-NRG, American Disco, and Synth Pop, all 100% played from vinyl. A celebration of vinyl authenticity and the raw energy of music.

Lancer brings Californian style and American Hi-NRG to the decks, transporting the dancefloor to the intense ’80s floors in the Americas (north, center and south America). His sets are energetic, full of history, and pulse with a latin queer energy that turns the floor into an explosion of sound.

 

 

courtesy of the Artist

Robot Girl, specialist in Italo and Euro Disco, is known for uncovering and spinning underground gems. Her selections combine hypnotic melodies with irresistible basslines, taking the dancefloor to another level.

courtesy of the Artist

Together, they create a night where different styles collide with an authentic, passionate disco spirit.
A gathering of vinyl, music, and real underground atmosphere in the soul of Berlin.

Donnerstag, 02. Oktober 2025 ab 20Uhr

Fotos: Henryk Weiffenbach

Munsha (Cello & Gesang),Yuko Matsuyama (Gesang & Tanz), 
Bastiaan Maris (Jeffrey's Bow Chime) KAI Dead Chickens (Noise Gitarr) 

„Alright, let’s get this fucking noise show startet!” Bobs Worte zur Eröffnung seiner legendären Live-Shows hallen unendlich auf der Bühne im Eschschloraque nach. Unzählige Performances bilden dieses Echo, seien es Live-Improvisationen mit Koryphäen der Musik- und Tanz-Szene, die Ehre, „Bobs Birthday Specials“ auf die Bühne zu bringen oder die zahlreichen Volumes der Konzert-Reihe „Let’s do some Music with Bob Rutman“. Heute erdröhnt die Musik für Bob – zum Gedenken an die Ikone des Berliner Underground, den Vater des Steel Cellos und jahrzehntelang berauschend schonungslose Noise Shows.

Ausgesuchte Weggefährt*innen des Ausnahmekünstlers formieren das Bob Rutman Tribute, das individuelle Geschichten miteinander verwebt und ihnen eine Bühne gibt, denn sie alle verbindet eine eigene Story mit Bob. Das Wort haben komplexe Sound-Dialoge, die der legendären metallenen Klangkunst gedenken: Konventionen brechende und stets neue Grenzen erkundende Cello-Klänge der Komponistin und Sounddesignerin MUNSHA laden dazu ein, sich zwischen Klang und Umgebung zu verlieren, Schönheit in Chaos und Ungewissheit findend. Musik erscheint als ein sich ständig weiterentwickelndes Experiment, ein verzerrtes Spiegelbild der Welt, gesehen durch das Prismaeiner veränderten Wahrnehmung. Performing Artist YUKO MATSUYAMA betrachtet Live- Performances als experimentelle Plattform für interkulturelle Dialoge. Die Schnittstelle von Tanz und Musik erforschend, schafft sie interdisziplinäre Werke, in denen sich Sound, Stimme und Bewegung als gleichberechtigte Ausdrucksformen überschneiden. BASTIAAN MARIS präsentiert eine gewaltige Umwandlung von Energie in Sound, der das Innenleben dieses Prozesses in seiner ganzen Schönheit erfahrbar macht. Bastiaan zählt zu den Personen, die Instrumente für Bob erbauten. Gemeinsam mit ihm, Jeffrey Funt und Nico Lippolis gründeten sie außerdem die Band Mastodon. Zum Tribute spielt er Jeffreys Bow Chime, denn nicht zuletzt liegt die tiefgreifende Musikgeschichte und Freundschaft zu Bob auch in den Instrumenten, den stählernen Klangkörpern, verankert. Stahl, Feuer und die gewaltige Schönheit des Monströsen führen uns zu KAI: Seine Metallkunst vereint rohes, kantig- rostiges Material und kinetische Skulpturen in einem eigensinnig beseelten Werk; als Performancekünstler mit ‚Noise Gitarr‘ verdichtet er das Tribute zu einem poetisch avantgardistischen Verbund der Sound-Dialoge.

Die Schallreflexionen um Bob Rutman und die zugehörigen Zusammenschlüsse von Musiker*innen und Performer*innen sind zugleich eine Spur jahrzehntelanger Kunstproduktion und Musikgeschichte im Haus Schwarzenberg und Eschschloraque Rümschrümp. Das Tribute ist Teil des Begleitprogramms zur Ausstellung ECHOHAUS – 30 Jahre Haus Schwarzenberg im Neurotitan, in der u.a. das Buzz-Chime, nach Bobs Plänen von Bastiaan Maris und Bill Earwaker erbaut, ausgestellt ist. Das Echo antwortet im Eschschloraque, wie Bob sagen würde: „Halleluja!“ Wir sagen: Let’s play this fucking noise show – for Bob!

Text: Vera Fischer

 

Das Event ist Teil des Begleitprogramms mit Konzerten und Aftershows im Eschschloraque der 3. Jubiläumsausstellung "Echohaus" zu 30 Jahren Haus Schwarzenberg im Neurotitan vom 06.09.-18.10.2025

 

Mittwoch, 01. Oktober 2025 ab 21Uhr

 on the couch: Mr.B(Antamauna) & MissVergnügen 

Courtesy of the Artist

MissVergnügen ist wohl die einzige, die das Eschschloraque mit ihren Gästen von der couch aus bespielt und damit die Bühne besetzt. Seit 2006 ist ihr Mittwochabend fester Bestandteil im Programm des Künstlerclubs. Die eklektischen Sets gestalteten sich schon als Hot Tunes for Cold Days, Weird Tunes for Winter, Smashing Songs for Summer – oder werden zu den Fabulous Tunes for Fall – gemeinsam mit Mr.B!

 

 

Samstag, 27. September 2025 ab 21Uhr

Couresy of the Artists

Fish and Candy DJ set will be spinning their records at Eschschloraque, keeping you dancing until late at night to the sounds of punk-postpunk-garage-77-mod-new wave-80s synth pop-ndw-power pop-gläm. What better way to end the summer? Those who know the duo know what to expect, having been active for years on the German underground music scene, but for those who don't know them, well, get ready for some real dynamite!

Freitag, 26. September 2025 ab 21Uhr

Courtesy of the Artist

Anno 2000 zog er als „Rhythmusmaschinenverkäufer“ für SchneidersBuero mit „Musterkoffer“ auf einem Handwagen durch Vernissagen, Parties, Bars oder den Tiergarten. Der Spaß am Gerät wurde Geschäft und die Zeit wurde eng. Nach 20 Jahren Pause ist der Koffer wieder da, das gleiche Gerät liefert erfrischend verstaubten minimal Techno, Experimentelles, Athmosphäre und Geräusch aus Strom.

Schon mit sechzehn spielte HerrSchneider einen Moog Prodigy Synthesizer in der Band und im Studio. Er konnte nicht ahnen, dass das seinen Lebensweg beeinflussen könnte. Mit 30 des Übens an den Tasten müde zog es ihn nach Berlin, er entdeckte elektronische Musik und den Synthesizer – NEU!

Mit sechzig ist die live gespielte Performance die Symbiose auch mit dem Klang einer Orgel. 

 

DJ: Aussenborder
Vinylsession  Punk+Bass

Courtesy of the Artist

Seit 1989 gilt: ob in einem kleinen Club, einer guten Bar oder auf einem schrägen Festival. Aussenborder schiebt mit seinen Platten durch die Nacht - jenseits von Genre oder BPM Grenzen. Überraschende Ausflüge und Gedankensprünge machen es für die Gäste zu einem wilden Ritt der verführt: zum Unbekannten! Move your ass and your mind will follow!

Donnerstag, 25. September 2025 ab 20Uhr

Courtesy of the Artists

Todesstrahlen mixes industrial with noise rock and post punk. Born in Berlin at the beginning of the 2016, they recorded three DIY albums after improvisation sessions where self-made instruments, made of construction site materials and metal scrap, shaped their sound and attitude.

https://todesstrahlen.bandcamp.com

 

Mittwoch, 24. September 2025 ab 21Uhr

Courtesy of the Artist

FRAUKE400 macht Elektroartpop auf deutsch - klare und eigenwillige Popsongs mit berührenden Hooklines, in denen sie ihre Lebenserfahrung und eine klare Haltung zu einer Art "Neuer Deutsche Welle für Erwachsene" verarbeitet. Ihre Refrains setzen sich sofort im Ohr fest, die Texte sprechen besonders den ab 35-jährigen Frauen aus der Seele. „Lebenserfahrung kann ein Plus im Popbusiness sein", sagt Frauke Wilhelm und wirbt offensiv mit dem Hashtag #bin59undwerdepopstar. frauke400 liebt mehrstimmige Gesangslinien mit experimentellem Hauch, für die sie in ihren Songs einen Teppich aus treibenden Grooves, poppigen und manchmal schrägen 80er-Synthies und ihrer Twäng Gitarre ausbreitet. In ihrem Home-Studio mischt sie Synthies und Grooves mit echten Flöten- und Saxophonklängen und spielt und singt alles selbst ein.

frauke400 performt im Goldanzug - als kleine Reminiszenz an die schillernden Figuren und Pop-Sänger*innen, deren Einflüsse sich bestimmt zwischen den Zeilen ihres ElektroArtPop wiederfinden: Björk, Beth Gibbons, Sophie Hunger, Lamb, Billie Eilish, Joni Mitchell, Marianne Rosenberg, Hildegard Knef, Goldfrapp, Sneaker Pimps – aber natürlich auch David Bowie, Prince und Freddie Mercury. Auf ihrer #firstlocalworldtour hat frauke400 im Sommer 2024 auf verschiedenen Festivalbühnen gespielt, unter anderem dem Watt'enSchlick-Festival und der Breminale.

www.frauke400.de
www.instagram.com/frauke_wilhelm
www.facebook.com/frauke400
www.tiktok.com/frauke400
www.soundcloud.com/frauke400

DAS SAGT UND SCHREIBT DAS PUBLIKUM:
"Schöner Act - Zwischen "Velvet Underground"- "B 52" und "Residents"
für meine Ohren"
„Gibt mir 2Raumwohnung-Vibes"
„stereo total vibes"
"postpunk-elektropop-80erMegaSound... Schöne Melodien grooven auf
WortPlateaus... feministischer Agit-Pop-Theater-Musik... das knallt."
"Ihre Stimme klingt nach Weite und Klarheit zugleich, mal mysteriös,
mal sanft, mal wild und dann wieder nachdenklich - irgendwo zwischen
Annie Lennox und Laurie Anderson, am Ende aber immer wie frauke400"



Dj: MissVergnügen

 

Courtesy of the Artist

ab 21uhr
SHOWTIME 22uhr

Eintritt frei

 

Das Event ist Teil des Begleitprogramms mit Konzerten und Aftershows im Eschschloraque der 3. Jubiläumsausstellung "Echohaus" zu 30 Jahren Haus Schwarzenberg im Neurotitan vom 06.09.-18.10.2025

Dienstag, 23. September 2025 ab 21Uhr

- Tanzbare Veranstaltung für Außenseiter 

presents:

Vorübergehende Lösungen, um das Verlorene zu benennen
(Provisional solutions to name the irrecoverable)

Performance:
NAIA URRESTI (@naiaurresti )
Direction:
J. RENÉ GUERRA (@jreneguerra )

Foto: johannesschuchardt

A B O U T  the  P E R F O R M A N C E

How do experiences of forced displacement transform the body and voice? How are concepts like 'home,' 'fragility,' and 'belonging' re-signified? In what way can a dancing body express the fragmentation of identity? How does migrant language articulate new identities in constant reconstruction? 'Vorübergehende Lösungen um das Verlorene zu bennenen' is a performative exploration of the fragility that inhabits the body after a forced displacement. Movement and language are territories of adaptation, marked by the fatigue of relearning new ways of inhabiting the world and reconstructing an identity in constant tension. Between gestures, memories, and fragmented languages, the work asks how to re-signify what has been lost and how to inhabit what remains of it. The performance establishes a constant dialogue between the poetic-fictional and the documentary, taking as a starting point my personal experience and that of the performer: two Venezuelan women, exiled, dissidents; a neurodivergent dancer (Naia Urresti) and a lesbian writer and director (J. René Guerra). In this sense, the way of inhabiting space, the way of moving and dancing of the performer becomes, in itself, a narrative of exile, acting as a field of enunciation against the aggressive logics of the Venezuelan civic-military regime, showing the physical and mental impacts that a body can endure while trying to survive state violence and subsequent uprooting. Through this work, I seek for the audience to witness a subtle and reparative protest, in which the body presents itself, from its fragility and vulnerability, as a territory of struggle and resistance against systems of power.

A B O U T  NAIA URRESTI

Naia Urresti is a neurodivergent Venezuelan dancer and choreographer based in Berlin. From a really young age she starts her investigation of the body and performing arts through artistic gymnasts and theater, studying acting in the Centre of Artistic Creation T.E.T. and taking part in diverse theater workshops and professional projects. Later on she continued her education in Contemporary Dance, Modern Dance, Flying Low and Passing Through, Ballet, Improvisation, Release Technique and Contact Improvisation with different institutions in Caracas, such as Taller Experimental de Danza Pisorrojo, Taller de Danza de Caracas and UNEARTE. Having professionally danced with diverse Venezuelan dance companies such as Pisorrojo (Nepente, The Nutcracker, Fértil, Tesela, Pilastra, Seis Ecos), Neodanza (Azar, Festival de Improvisación Día 13, El Boquete, Furor Navideño), Sieteocho (Análogo) and Proyecto Movimiento (O: Una Mirada a Oriente desde Occidente), she started her investigation as a choreographer developing solo pieces, among them Buscando (2020), 1990 (2021), Penelope (2022), Crescent (2023) and E (2024), and performing her projects in different spaces in Berlin and Madrid. She's also a funding member of the collective The ထth Space, with whom she developed the work Chaos, in this order, an interdisciplinary project about autistic masking.

Website: https://naiaurresti.com
Instagram: https://www.instagram.com/naiaurresti/
Youtube: https://www.youtube.com/@naiaurresti5823

A B O U T  J. RENÉ GUERRA:

J. René Guerra is a caribbean woman captured by the Sudestada. Exile on the fight. Creator of believing and creating. She has been writing, inventing and exploring with theater and cinema for 15 years; also with poetry and short stories.
She has a degree in Arts from the Universidad Central de Venezuela and is a scriptwriter at the Laboratorio de Guion in Buenos Aires, Argentina. She faithfully believes in art as a field of poetic battle, of questioning, of construction of meaning. Her play Guilty (Barcelona, Spain), is currently running in 2025. His next fiction plays: Blablabla Discurso Tóxico (Caracas, Venezuela) and Crisis (Barcelona, Spain), are in rehearsal. His next documentary play Piratas (Isla de Margarita, Venezuela) is in the research process. She is also in pre-production for the tour of his documentary play Extranjera Lenta (Buenos Aires, Argentina), and his latest performance Vorübergehende Lösungen um das Verlorene zu bennnen, (Berlin, Germany). She directs C.R.I.S.T.A.L.E.S, a live performance experience that brings together women and people from the lgbtqia+ community, from different territories of Latin America, with which she supports spaces of containment for victims of gender violence.

Instagram: https://www.instagram.com/jreneguerra/ 
Interview: https://www.youtube.com/watch?v=RZwC3jFKld0

 

TICKETS:
8:00 pm TICKETS at the door!
The dice will tell you what to pay.
Limited space, come early!
(8,00€ | 8,50€ | 9,00€ | 9,50€ |10,00€ | Joker)

Samstag, 20. September 2025 ab 21Uhr

minimal/house

courtesy of the Artists

Two Italian DJs based in Berlin, who grew up with the roots of the old-school house and the Berlin minimal, lead both music cultures with passion. Their Italian roots mix harmoniously with the electronic atmosphere of the Berlin music scene and create a unique sound that captures the essence of the two cultures.

Zwei italienische DJs based in Berlin, die mit den Wurzeln von Old-School-House und Berliner Minimal aufgewachsen sind, führen beide Musikkulturen mit Leidenschaft voran. Ihre italienischen Wurzeln vermischen sich harmonisch mit der elektronischen Atmosphäre der Berliner Musikszene und schaffen einen einzigartigen Klang, der die Essenz der beiden Kulturen einfängt.

 

Freitag, 19. September 2025 ab 21Uhr

Courtesy of the Artist

M Love is a DJ and producer based in Berlin. He has released music on labels such as Relish and Play Pal, and his tracks have been supported by highly respected artists such as Curses, Local Suicide, JG Wilkes (Optimo), and more. His eclectic sets and productions fuse raw energy, psychedelic textures, and percussive elements into a dancefloor-driven disco punk sound. As a multi-instrumentalist, he is a member of local psych bands Moriah Plaza and Cherry Bandora.

https://ra.co/dj/mlove